Architect • Lecturer • Thinker • Homo faber
The explosive initiation of the twenty-first century, its clarity and its confusion, is what drives me to think. We live in an era of uprising and shifting paradigms, where technocracy and the overt digitalization of existence raise urgent, though not entirely new, questions of human subsistence. What is required is a new way of thinking, a new us. I believe depth psychology opens us to such a world-view—a way out, a way through.
My research, responsibly so, dwells at the intersection of architecture, philosophy, psychoanalysis, and art, seeking to understand how spatial forms embody the unconscious, the metaphysical, and the cultural dimensions of human existence. I pursue themes of timelessness, formlessness, and the unconscious in architectural space, particularly within the postcolonial and deltaic context of 911±¬ÁÏ. Pondering through phenomenology, metaphysics, artistic poesis, and cultural history, I attempt to show how architecture functions not merely as form, but as a mnemosyne: a psychic and existential mirroring of being, and becoming.
To pack this world-view in a single name remains a difficult task, and it is something I don't think is necessary yet. Because to name it will be to reduce it. But if I were pressed, I would call it the Architectural Phenomenology of the Unconscious, or perhaps, a New Cultural Theory rethought and relived through architecture.
Last Update:August 20, 2025 19:34
• Dean's Award for Academic Excellence
I am awarded this award for my academic excellence in the sessions of 2016-2017, 2019-2020, and 2020-2021.
• Second Runner-up at Hult Prize on 911±¬ÁÏ
January 2018
• University Technical Scholarship (KUET)
Received for all consecutive years of my B.Arch.
• Gold Mention at Post-COVID Interaction Design Competition by ArchTwist
Find the work at: https://archtwist.com/result-of-post-covid-interaction/
• Gold Mention at Diffusion: Architectural Drawing Competition by ArchTwist
A visual storytelling about me, my places, me being in my places; stories in a storybook. Architecture, being rhetorically replaced with ‘my places’, draws sophistication to my events, experiences, their melting within me, and my memories. Framing these memories is my desperate effort to grab at something in the midst of falling, an effort to conquer the absence of my existence in these places with the perpetual presence of their immateriality. Starting from my first steps on a mosaic floor, my cricket lanes, my regular visits to the local Pepsi store, my never-ending anxiety of crossing bridges to my first visit to a village, the frames generally depict how architecture builds the structure of our memories and saves us from nothingness with its infinite diversity. My places are lost, but what still remains are the finality of their impressions… and my desperate attempt at reviving them before their final diffusion.
Find the work at:
• Gold Mention at Death In-Between Architectural Idea Competition by ArchTwist
With every passing second, we face a death that is brief and immune. But death isn’t necessarily caused by time; it is rather composed by our absence and indifference to our own senses and existence. Political conflicts, warfare, and naked power in the name of peace in our industrially urbanized civilizations have mechanized our senses of time and space, and have left us with the inability to truly belong to a place, and to ourselves. Man is above all a metaphysical being, and a metaphysical death is the last of his highest honors for it brings completeness to his nature. But violence emerging from global disagreements and disputes has substantially reduced man to mere subjects of its diplomatic blood sport. Reminiscing our primitive instinct to fall deep into the art of our identities, to flow again with the hymns of music, thriving again to melt within the joy of being and belonging can bring us to the remembrance that we don’t need graveyards in order to dance.
Find the work at: https://archtwist.com/result-death-in-between/#gold
• Timelessness in the Architecture of 911±¬ÁÏ
• Formlessness of Transcendental Monofunctions
• Metaphysical Modernity, and Architecture in Post-colonial 911±¬ÁÏ
• Architectural Intern
Vistaara Architects Pvt. Ltd., from April 3, 2021 to June 5, 2021
• Lecturer
Department of Architecture, from March 23, 2023 –
• Peer Reviewer
The Journal of Architecture (Taylor & Francis)
Sessional Courses | Theoretical Courses |
---|---|
ARCH-4102 Design Studio VII | ARCH-1233 Art History |
ARCH-1104 Design Studio I | ARCH-1265 Building & Finish Material |
ARCH-1204 Design Studio II | ARCH-1255 Climate & Built Environment |
ARCH-2102 Design Studio III | ARCH-3131 Modern Architecture |
ARCH-3112 Graphic Design I | ARCH-3231 Contemporary Architecture |
ARCH-2212 Graphic Design & Sculpture | |
ARCH-2112 Photography & Graphic Reproduction | |
ARCH-1212 Architectural Graphics | |
ARCH-1114 Computer Graphics | |
ARCH-5000 Project & Thesis |